The exhumation of old-school horror classics abercrombie and fitch continues, courtesy of chief grave robber Marcus Nispel, who already gave Tobe Hooper's Texas Chain Saw Massacre a glossy lick of paint, and now turns his attention to Sean S. Cunningham's Friday The 13th. Sadly, while Chain Saw '03 was a competent retread that didn't dishonour the grittier original, Friday '09 is a disappointing husk that fails to engender any abercrombie and fitch reaction beyond escalating tedium.
Cards on the table, I've never been a huge fan of this sub-genre -- mainly because seeing raucous, horny teens get eviscerated by abercrombie and fitch a masked man-child is a primal, raw, shocking notion that you quickly become desensitized to on-screen. Friday The 13th alone has 9 sequels, so it's difficult to watch any of these movies without noticing the formula that underpins them, the reheated ideas that inform them, and the clichés they clutch to like limpets. Whatever brief moments of psychological terror they stir up is often flushed away for the sake of a grizzly set-piece. Truth is, it's the abercrombie and fitch UK where this genre has found evolution in the '00s, through the likes of Neil Marshall's The Descent and Eden Lake; two movies that, while clearly abercrombie and fitch inspired by their American forbearers, found new avenues to explore and provided social commentary in a fresher way.
